Atmospheric Measurement Program
trans-mediative organization
trans-mediative organization
Logo AMP, 2015
Atmospheric Measurement Program
trans-mediative organization
dimensions variable
The Mineral Treatment, Belgian Performance Festival, VUB, 2015
The Turner Treatment, Het Kabinet, CIAP, Hasselt, 2016
The Whether or not Assumptions, Paris Texas, Antwerp, 2017
trans-mediative organization
dimensions variable
The Turner Treatment, Het Kabinet, CIAP, Hasselt, 2016
The Whether or not Assumptions, Paris Texas, Antwerp, 2017
The Atmospheric Measurement Program, subsequently listed as AMP, is a trans-mediative organization which does atmospheric measurements.
By doing so, AMP examines Reality Experience. Using Mediums as a transmitter of Life Events, AMP distillates ‘essentials’ and creates a lucidity towards an external body. It brings these ‘essentials’ towards the surface, and generates a 'repercussion' which results in a parallel perception of a Reality Experience.
Former Treatments contain:
The Mineral Treatment, Belgian Performance
Festival, VUB, 2015
for which the Mediums of AMP documented all
the performances of the Belgium Performance
Festival and generated a repercussion by
channelling the data into Tibetan quartz.
The Turner Treatment, Het Kabinet, CIAP,
Hasselt, 2016
where the 'exhibition booth' of CIAP, an art centre
in Hasselt, was brought into balance with the
surrounding space by turning it around it's own
axis.
The Whether or not Assumptions, Paris Texas,
Antwerp, 2017
For a group exhibition a fictive artist was invented
and functioned as a connecting narrative between
the artists participating in the show. The show
was presented as a solo show from this fictive
artist.
By doing so, AMP examines Reality Experience. Using Mediums as a transmitter of Life Events, AMP distillates ‘essentials’ and creates a lucidity towards an external body. It brings these ‘essentials’ towards the surface, and generates a 'repercussion' which results in a parallel perception of a Reality Experience.
Former Treatments contain:
The Mineral Treatment, Belgian Performance
Festival, VUB, 2015
for which the Mediums of AMP documented all
the performances of the Belgium Performance
Festival and generated a repercussion by
channelling the data into Tibetan quartz.
The Turner Treatment, Het Kabinet, CIAP,
Hasselt, 2016
where the 'exhibition booth' of CIAP, an art centre
in Hasselt, was brought into balance with the
surrounding space by turning it around it's own
axis.
The Whether or not Assumptions, Paris Texas,
Antwerp, 2017
For a group exhibition a fictive artist was invented
and functioned as a connecting narrative between
the artists participating in the show. The show
was presented as a solo show from this fictive
artist.